WORKS LIST

CLICK HERE FOR SCORE RENTAL INQUIRIES

ORCHESTRA

Genesis of the Tiger (2020) Full orchestra. 12 min. Commissioned by the Los Angeles Philharmonic to commemorate the 40th anniversary of Duran Duran.

Si Osedhoa (We're Still Here) (2018) Full orchestra, children's chorus, vocal soloist, and synthesizer. 25 min. Commissioned by the North Carolina Symphony and the Eastern Band of the Cherokee.

Abattoir (2018) Full orchestra, children's chorus, live electronics, vocals, and guitar. 5 min. Commissioned by Symphony Space.

Forbidden Colors (2018) Full orchestra, children's chorus, live electronics, vocals, and guitar. 5 min. Commissioned by Symphony Space.

Birds of Paradise (2018) Full orchestra, children's chorus, live electronics, vocals, and guitar. 7 min. Commissioned by Symphony Space.

Future Shock (for string orchestra) (2016) String orchestra, electric guitar, synthesizer, and sample pad. 14 min. Commissioned by the Nu Deco Ensemble.

Dream Has No Sacrifice (2016) Strings, acoustic guitar, electronics, percussion, and vocals. 5 min. Written for Jenn Wasner, premiered by String Orchestra of Brooklyn.

Love Letter for Arca (2016) Full orchestra and synthesizer. 12 min. Commissioned by the Seattle Symphony as part of its Sonic Evolution project celebrating the past and future of Seattle's music scene.

Topaz Were the Waves (2015) Full orchestra, live electronics, vocals, and guitars. 6.5 min. Commissioned by Baltimore Symphony.

Spiritual America (2015) Full orchestra, live electronics, vocals, and guitars. 6 min. Commissioned by the Alabama Symphony.

True Hunger (2015) Full orchestra, live electronics, vocals, and guitars. 5 min. Commissioned by the Alabama Symphony.

Canyons Curved Burgundy (2014) Strings, brass, electronics, guitar, and vocals. 7 min. Commissioned by the Eastern Connecticut Symphony Orchestra.

Dunes (2013) Full orchestra. 10 min. Commissioned by the Indianapolis Symphony Orchestra for the Lilly Classical Series. Includes companion film (12 min).

Obituary Birthday (A Requiem for Kurt Cobain) (2011) Full orchestra. 11 min. Commissioned by the Seattle Symphony as part of its Sonic Evolution project celebrating the past and future of Seattle's music scene.

CHAMBER

Lost in Norfair (2019) 5 min. For harpsichord, piano, rhodes, synthesizer, and electronics. Commissioned by Erika Dohi.

Disintegration (for Michi) (2019) 4 min. For multiple violins. Written for Michi Wiancko.

Dido's Lament Revisited (2019) 11 min. For sax, electric bassoon, percussion, sample pad, electric guitar, keyboard, vocals, two violins, viola, and cello. Written for Wild Up and Zola Jesus. Commissioned by Kaufman Center/Ecstatic Music Festival.

Alive in the Electric Snow Dream (2019) 11 min. For sax, electric bassoon, percussion, sample pad, electric guitar, keyboard, vocals, violin, viola, and cello. Written for Wild Up and Zola Jesus. Commissioned by Kaufman Center/Ecstatic Music Festival.

So Long Art Decade (2018) 5-string violin and electronics. 5 min. Commissioned by violinist Michi Wiancko. Dedicated to David Bowie and Prince.

An Avalache (2017) For strings and electronics. 3 min. Commissioned by Perth International Arts Festival.

Future Shock (for acoustic string quintet) (2017) For string quartet plus double bass. 7 min. Arranged for Sybarite 5.

Beyond Abyss (2015) Violin, cello, bass, guitar, keyboards, vocals, electronic drumkit. 7 min. Commissioned by the Kaufman Music Center.

Acid Rain on the Mirrored Dome (2012) For flexible mixed electro-acoustic ensemble. Variable length.

Pink Angels (2012) Flute, clarinet, trumpet, violin, viola, and cello. 5 min. Written for yMusic.

Loon Birds in Meshed Crystal (2012) Viola, cello, and electronics. 5 min. Written for ACME.

Computer Wave (2011) Solo piano. 5.5 min. Commissioned by Michael Mizrahi.

Future Shock II (for string quartet) (2011) String quartet and electronics. 15 min. Written for the ACME Quartet. Supported by the Foundation for Contemporary Arts.

Future Shock III (for cello) (2011) Cello and electronics. 6.5 min. Written for Clarice Jensen.

Future Shock I (for viola) (2009) Viola and electronics. 6.5 min. Written for Nadia Sirota.

Loving the Chambered Nautilus (2009) Flute, harp, viola, voice, and delayed banjo. 8 min. Supported by the American Music Center.

Pegasus Extended (2008) Clarinet, electric guitar, piano, percussion, drumkit, violin, cello, and vocals. 10 min. Written for Newspeak.

Hotlanta's Demise (2008) Flute, sax, electric guitar, electric bass, vibes/percussion, piano, violin, cello, lip-synched vocals. 6 min.

Michael Jackson (2007) Flute, clarinet, electric guitar, piano, and double bass. 6 min. Written for NOW Ensemble.

VOCAL

Psychedelics (2017) Eight voices and concert choir or eight voices and live electronics. 15 min. Commissioned by Williams College. Additional version available for eight singers and synthesizer.

Done Know Why Say Do (2011) Eight voices. 7 min. Commissioned by Roomful of Teeth and the Kaufman Center.

High Done No Why To (2010) Eight voices. 7 min. Commissioned by Roomful of Teeth and the Kaufman Center.

Amid the Minotaurs (2010) Eight voices. 9 min. Commissioned by Roomful of Teeth and the Kaufman Center.

MIXED

Spiritual America - Full Version (2018) For full orchestra, children's chorus, rock trio, synthesizers, and electronics. 45 min. Also exists in chamber form for a mixed ensemble of 8 players. Commissioned by Symphony Space, Alabama Symphony, Palm Springs Art Museum, the SPCO's Liquid Music series/Walker Art Center, the Baltimore Symphony, with additional funds contribute by Metropolis Ensemble. Additional chamber version commissioned by Sounds from a Safe Harbor Festival.

Shimmering Desert (2015) For choir, percussion, cello, and electronics. 7 min. Commissioned by Vision Into Art as part of The Colorado.

Colossus (2015) For choir, percussion, cello, and electronics. 6 min. Commissioned by Vision Into Art as part of The Colorado.

Television Landscape (2010) For orchestra, rock band, children's choir, and electronics. 50 min.

Mohair Time Warp (2008) Flute, sax, electric guitar, electric bass, vibes/percussion, piano, violin, cello, lip-synched vocals. 35 min. Underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

COLLABORATIVE

Kanye West: Mary (2019). Arranger.

Bryce Dessner/Roomful of Teeth: Triptych (Eyes of One Another) (2018). Associate music director.

Lower Dens: Selections from Escape from Evil (2017). Chamber orchestra. 20 min. Commissioned and premiered by Baltimore Symphony.

Oh Albert! (2016) Orchestra, vocalist, electronics, and film. 90 min. Commissioned by the Basel Sinfonietta and composed with Elia Rediger to commemorate the invention of LSD.

WRAY: Color Drones, Hypatia, Blood Moon, and Hedron (2016) Full orchestra and rock band. 40 min. Underwritten by Alabama Symphony.

Wye Oak: Selections from Shriek (2015) Full Orchestra, vocals, drumkit, and e. bass. 30 min. Underwritten by the Alabama Symphony, Walker Art Center and Baltimore Symphony.

Dawn of MIDI: Kanye Demands a Son (2014) Collectively sculpted improvisation, commissioned by the Kaufman Music Center.

Son Lux: Betray and Wither (2013) Full Orchestra. 12 min. Underwritten by the Indianapolis Symphony.

Oneohtrix Point Never: Selections from Replica (2012) String Orchestra. 15 min. Underwritten by Arts Brookfield.

INSTALLATIONS + ENVIRONMENTS + RITUALS

Eternal September. (2021-?) Open-ended and expansive alternate digital reality.

The Meta Simulacrum, Vol 1. (2021) Multi-media video. 90 minutes. Commissioned/presented by Cincinnati Symphony Orchestra, the Walker Art Center, the Great Northern, Liquid Music, and the Metropolis Ensemble.

Aeon Ritual (2018) Collaborative electro-acoustic ensemble with colored lights/semi-staging. 50 minutes. Curated by Infinite Palette, commissioned by Mass MoCA.

Glamis Dunes, Obsidian Butte 1+2 & Salton Sea (2017) Electronics, video, and dance. 20 min. Commissioned by the Palm Springs Art Museum and produced by Safety Third Productions, directed and performed by Katherine Fisher. Concept and music by William Brittelle. Presented at Palm Springs Art Museum and the Freemantle Arts Center as part of the Perth International Arts Festival.

Without Chasms (2017) For violin/viola, cello, electronics, and GIF installation series. 8 min. Supported by Boulder Museum of Contemporary Art.